Monsters!

A creature advances towards his prey, his sharp, black claws dripping with poison. The man and woman stare up, wide-eyed, as it advances upon them, knowing there is no way out. Their fate is sealed.

Such a scene invokes the imagination, and the human imagination is where fantasy thrives. One of the greatest things about fantasy is that literally anything is possible within the established parameters of the world presented. Most often, fantasy has beings such as elves, dwarves, and dragons, and there can be a plethora of varieties within each race. Even with things that do exist, fantasy has a way of changing and stretching them to fit into any world. Sometimes, the wide variety of peoples, races, and creatures that can be explored is overwhelming. How does a writer incorporate something as common as werewolves, ghosts, or vampires in a unique way? Do they even need to be unique to be effective? Sometimes good, old-fashioned, classical creatures are what a story needs. In Goandria, I try to be as unique as possible, but at the same time I like familiarity.

For example, in the upcoming novel series, the main foot soldiers are a dirty and ugly people, but I have grown weary of orcs being the staple for servants of a dark lord. The soldiers I refer to from Goandria are called thworfs, and they were originally inspired by orcs and other similar creatures, but as time went by, I tried to make them their own race. Orcs in fantasy are typically featured as belligerent and ugly, only capable of getting along on the battlefield. The thworfs may be unattractive by human standards, but other than that, I tried to abandon other similarities. I wanted to explore a race that was coerced but that was also not entirely what they seem to be.

On the other hand, I choose not to tamper too much with dragons. Dragons are perhaps the staple of fantasy. Nearly every form of the genre has its own take on the famous lizard breed. Personally, I like the animalistic dragons that are all about power and terror. There are just some elements of fantasy that do not need a whole lot of tinkering to be effective. Ultimately, uniqueness is difficult to find, and I believe presenting creatures that are believable within the framework of the world is most important. There are occasions in which a typical werewolf is what a story needs. The challenge for the writer is to find what that need is. More often than not, uniqueness is good, and that is generally my goal with Goandria.

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Avoiding Clichés

Clichés in fantasy are many, and in previous blog posts, I have addressed a few that I try to avoid.  As an author it can be dangerous to make the claim that I am avoiding clichés when they can be hard to avoid.  I would imagine that many times when authors use clichés in their works it is unintentional, or perhaps I would just like to give my fellow writers the benefit of the doubt.  Especially if the writer has a traditional publishing contract, I would guess if the author included clichés it is intentional.  What cliché have I not addressed before that is replete in fantasy books, TV shows, and films?  The one magical weapon that can destroy the dark lord.

I have seen this cliché repeated in various fantasy stories.  There is the One Ring in The Lord of the Rings, the Sword of Shannara in the Shannara series, and Harry Potter is the only one in the whole world who can defeat Voldemort.  In that sense, Harry Potter is the magical object that can destroy the villain.  It is a neat concept and is believable within the context of a nearly all-powerful villain.  If a writer sets up an immortal, super-powerful antagonist, it is very difficult to defeat him or her in a believable way.  However, does this have to be the case for so many villains in fantasy?  This cliché is also one of the many common complaints I have found with post-Tolkien fantasy.  What if fantasy started to regularly employ other means of defeating the main villain?  What if modern fantasy could rise above the common problems that make it look a lot like clones of the Middle-Earth Legendarium?  What if the antagonist destroyed himself?  What if the protagonist found an unconventional chink in the villain’s metaphorical armor?

What I want to see is new life breathed into the fantasy genre.

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Goandria: A world set apart

One of my favorite ways speculative fiction is portrayed is when the setting is a completely different world and environment. I like to see stories take place in worlds other than Earth. I understand the purpose of placing fictional stories in our home world, but for me to truly get immersed in the experience, I like it to be somewhere new. From my perspective, it seems that science fiction works much better on Earth than fantasy does.

Once again, I will use Tolkein’s mythology as an example. He paints a beautiful picture of Middle-Earth, filled with races and creatures completely different than we would encounter in everyday life. Yet the stories of Middle-Earth are supposed to be a fictional history of the Earth we know today. It is an intriguing idea, but there is a part of me that is disappointed. I feel that placing a magical world within our own ruins the mystery. Of course not all share my view and this is just a personal preference. However, when I set out to write my own stuff I decided it would not take place on Earth, nor will it be an alternate dimension. I made Goandria to be its own world. The best part of speculative fiction for me is the speculative part.

With making something entirely different with Goandria, I feel I have the freedom to be more fluid with the world. There is medieval technology in Goandria, but I mix in modern dialogue to show that Goandria does not necessarily follow the same developmental history as our own world. With Goandria I aim to take the reader on a journey that I would enjoy to go on. One where everything is new, yet there is a sense of familiarity that coincides with it.

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Goandria: The Genesis and Evolution of My World Part II

In the beginning, Goandria was about a ragtag group of rebels who fought against an evil ruler. Sound familiar? I thought so too once I got into my early teens. It was around the age of fourteen that I strove to make my storyline something unique, yet there are common elements in fantasy that make the genre, so the balance of creating something fresh, and not rehashed, is more than challenging.

I was inspired by the immortal elves of Tolkien’s world and the elves in the Inheritance Cycle. Both are immortal beings that represent what humanity could have been. Elves in fantasy are powerful and wise, but also haughty and often arrogant. Elves and dwarfs are both cornerstones of the fantasy genre, but I wanted something different. As I have mentioned before, in Goandria I strive for familiarity and uniqueness, so how could I incorporate these central races to fantasy? This was the birth of the englif race. These people are immortal like elves, but they are shape shifters. I made them to be rather reclusive and shut off in their own island (Caldaria). I have attempted to make them less haughty then elves by showing their lack of involvement in the outside world. This is largely due to them being so absorbed in what they are doing.

As far as dwarfs are concerned, I once more tried to distinguish my works from fantasy’s overt Norse roots. The dwarves in Tolkein’s world and The Dwarves series by Markus Heitz have very strong Scottish traits, and they are typically miners and craftsman. However, the race I chose to implement were pale-skinned, diminutive creatures standing a foot tall and having large blue eyes. These people are called the ferrorians. They are often scatter-brained and silly, and they represent a more innocent side to humanity – the part of us brought out by Christmas and Halloween. Of course, in any quality fantasy, not all members of a single race are the same. It is for the reader to discover these people, their differences, and the rich world in which they live.

To be honest, there is another group in Tolkien’s Arda that inspired me. One that has inspired other kinds like them in literature, television, and movies: the Nazgul. Where elves may symbolize a pure humanity, the Nazgul show the other end of the spectrum. I fell in love with their concept from the first time I saw The Fellowship of the Ring on the big screen. There are only nine of them, yet they command fear and respect of all their foes. They are evil incarnate, an evil so pure and blind that it is hard to imagine them as the kings they once were. What sort of people were they originally? Were they evil kings before they encountered the Rings of Power? I wanted evil wraiths of my own, but how? Again, that is something I want the reader to discover for him or herself.

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Goandria: The Evolution and Genesis of My World Part I

What drives a 12-year-old to hammer away at the keyboard instead of going outside or playing sports? That is something I do not understand, but I was that 12-year-old. The world of Goandria has gone through many versions and morphed so many times, but at the same time, it remains familiar. Much like an old friend, writing in this world has offered comfort and has become so integrated into my life that if I am parted from it for too long, I feel as if there is a hole in my soul.

Before age 12, if someone had told me I was going to aspire to become a writer, I wouldn’t have believed it. I wanted to sing. As a child, I felt I had my life figured out, like many children do. In my early years, I was not particularly good at reading, and I could not write well either. I struggled through all my English classes, and often barely passed, but there were two worlds that filled me with awe: Star Wars and Lord of the Rings. These stories left me wanting more, taught me about love, life and friendships, and transported me to a world where the impossible was possible. This was the beginning of my love for fantasy.

While sitting in church one day, the idea came to me to start writing and create my own world. It wasn’t particularly original or good at first. At that time, it was called “The Land of Golah.” As time went on and I grew and learned more, the desire grew within me to create a world that was my own, original and not just a copy of the stories that inspired me. Yes, I know, that is the goal of every writer, and it is up to my readers to decide if I succeeded, but what I wanted was to break away from the clichés that plague Fantasy. For example, a Dark Lord/Lady who is evil just for the sake of evil is too prevalent in fantasy worlds. In my first full-length novel that I plan to release in early 2015, there is a dark lord (so to speak), but I wanted to show things from his perspective. I wanted the reader to get inside his head and understand why he does what he does. This is something that does not happen with Sauron in Lord of the Rings. The reader knows Sauron is evil, but we really don’t know why or what drives him other than his wish to dominate all people and their wills.

My goal with the Goandria series is to offer a story that is familiar yet fresh for fantasy readers. There are thousands of Lord of the Rings clones out there, and while I love Tolkien’s work, let us leave Middle-Earth in Middle-Earth.

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