I would like to announce for one week only Goandria: The Schism Part II is free on smashwords.com with coupon. As always, Part I is free as well so why not download both? You can find both here. When purchasing Part II enter coupon code “WF78A”
I have blogged about the Goandria series on here, and that is the point to give potential readers a glimpse into what my writings are all about. However, for anyone who is interested in checking it out for themselves, you can read Goandria: The Schism Part I for free. If you like it, please leave a review. I welcome all sorts of feedback and it you would like you can contact me at email@example.com.
So, if you are intrigued by what you have seen here, check out my website: /goandria. From there you can buy my books, check for updates, or learn about upcoming releases.
Writer’s block is a rather peculiar pseudo-pop culture reference to when writers have no idea what to write or are struggling to get their ideas on paper. So what does writers block look like for me?
There are times in which I know what to write but not how to write it. Earlier in my life, I used writer’s block as an excuse, and it was true that I struggled with writing scenes at those points. Writing is not easy. Then a couple years ago, I had an epiphany. I was not that committed. I said I wanted to write, but I never chose to commit to it, to make it a part of my everyday life. As much as I wanted to produce my world and make it available for others to read, there was an endless amount of excuses contributing to writer’s block. Once I made a commitment, an earnest commitment, I found that writer’s block melted away almost entirely. Sure, I struggle with forming scenes or with the new direction the characters are taking me, but that struggle is overcome every time. I found deciding to write a minimum amount of words every day helps. More often than not, I end up doubling or tripling the minimum because once the story gets flowing, it is hard to stop it.
There is one hang up to my new plan. As I write this blog, I must confess something. I really dislike blogs and blogging, but since getting published, I have discovered one unavoidable truth: blogging is a must for writers. Knowing what to regularly blog about is difficult for me. I have generally found bloggers to be conceited. Why should random strangers care about the musings and opinions of other strangers? Apparently, there are many strangers that care about these opinions because blogging is popular. So in knowing the necessity of blogging, I buckled down and began to do it myself. I found that I have things to write about each time I sit down, and it becomes a little easier. Writer’s block is more about willpower in my life than anything else, and making a commitment to just do it helps overcome it.
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A creature advances towards his prey, his sharp, black claws dripping with poison. The man and woman stare up, wide-eyed, as it advances upon them, knowing there is no way out. Their fate is sealed.
Such a scene invokes the imagination, and the human imagination is where fantasy thrives. One of the greatest things about fantasy is that literally anything is possible within the established parameters of the world presented. Most often, fantasy has beings such as elves, dwarves, and dragons, and there can be a plethora of varieties within each race. Even with things that do exist, fantasy has a way of changing and stretching them to fit into any world. Sometimes, the wide variety of peoples, races, and creatures that can be explored is overwhelming. How does a writer incorporate something as common as werewolves, ghosts, or vampires in a unique way? Do they even need to be unique to be effective? Sometimes good, old-fashioned, classical creatures are what a story needs. In Goandria, I try to be as unique as possible, but at the same time I like familiarity.
For example, in the upcoming novel series, the main foot soldiers are a dirty and ugly people, but I have grown weary of orcs being the staple for servants of a dark lord. The soldiers I refer to from Goandria are called thworfs, and they were originally inspired by orcs and other similar creatures, but as time went by, I tried to make them their own race. Orcs in fantasy are typically featured as belligerent and ugly, only capable of getting along on the battlefield. The thworfs may be unattractive by human standards, but other than that, I tried to abandon other similarities. I wanted to explore a race that was coerced but that was also not entirely what they seem to be.
On the other hand, I choose not to tamper too much with dragons. Dragons are perhaps the staple of fantasy. Nearly every form of the genre has its own take on the famous lizard breed. Personally, I like the animalistic dragons that are all about power and terror. There are just some elements of fantasy that do not need a whole lot of tinkering to be effective. Ultimately, uniqueness is difficult to find, and I believe presenting creatures that are believable within the framework of the world is most important. There are occasions in which a typical werewolf is what a story needs. The challenge for the writer is to find what that need is. More often than not, uniqueness is good, and that is generally my goal with Goandria.
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This a very hot topic! I have heard complaints from people I know, and I have read online comments that in fantasy women are over-sexualized and/or under portrayed. It is true when one walks down the science fiction/fantasy aisle in Barnes and Noble that the covers often depict women as culturally ideal. When was the last time you saw a homely man or woman featured on a cover? I suppose someone could give an example since beauty has a subjective component to it, but most images show that are accepted as beautiful by the general culture. I have also seen more and more of a demand for “strong, independent female characters” in my favorite genre. I get that women make up half the population and portraying them in a crude or cookie-cutter fashion is disgusting. However, let me ask you this: what exactly is a strong and independent female character?
In Goandria: The Schism, my goal is to make Evera the light of the story. She has her flaws like anyone, but at her heart she is overflowing with love. However, Evera is dependent upon Lorkai for strength, and Lorkai depends on Evera in the same way. These two characters lean on one another in their fights, when facing the worlox or their own personal demons. Evera is also a very strong character. When challenges come her way, she faces insurmountable odds without backing down. Then, to reiterate my question. What is a strong and independent female character? I could see potential arguments on either side saying Evera is or is not strong and independent. I suppose like many other things in this world, one knows it if he/she sees it, but it is hard to put a definition around it. The thing is, no one is truly strong and independent. No one is an island. No one can function without help in some degree. I’m sure that is not what the term “strong and independent” means, but then again, what does it mean? Sure, as authors we could write characters that are islands and could kick butt by themselves, but how believable is that? Perhaps the term is in reference to female characters that do not need a husband or boyfriend to function. Hey, if that is the case than I am all for it. Marriage and relationships are not for everyone. A woman who chooses to stay home and care for the children is not any weaker than a woman who is career-focused in the midst of having a family.
This topic brings another question: should writers focus solely on the female characters and ensure they are strong to avoid clichés? I’m sure few would actually say that, but this is the impression that is often given. What I feel should matter most is depth of a character, not the gender of a character. Characters drive stories. An author can create a beautiful world, but if the characters are static, the plot will fail. So yes, we should have strong, independent characters, but the expectations need to be realistic.
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